Personal

Raw Essece

Spring 2024

Juxtaposition of natrual and human-made objects

Personal

Raw Essece

Spring 2024

Juxtaposition of natrual and human-made objects

Personal

Raw Essece

Spring 2024

Juxtaposition of natrual and human-made objects

Topic

Publication

Publication

Publication

Story

Story

Story

Exhibition Design

Exhibition Design

Exhibition Design

Digital Experience

Digital Experience

Digital Experience

Tools Used

Figma

Figma

Figma

Indesign

Indesign

Indesign

Adobe Illustrator

Adobe Illustrator

Adobe Illustrator

Adobe Photoshop

Adobe Photoshop

Adobe Photoshop

Midjourney

Midjourney

Midjourney

Sora

Sora

Sora

Concept & Vision

Concept & Vision

Concept & Vision

The challenge was to create an exhibition that explores the fascinating tension between raw, natural materials and human-made objects. I wanted to question where nature ends and human intervention begins.

The missing 'n' in "Raw Essece" presents the incomplete state of transformation, the moment between raw material and finished creation. This exhibition invites viewers to witness that liminal space where natural elements meet human craftsmanship.

Visual Research

Visual Research

Visual Research

Visual Research & Inspiration

  • Organic textures and geological formations

  • Industrial materials and manufacturing processes

  • The contrast between smooth and rough surfaces

  • Form over color + monochromatic palettes

Environmental Integration

The exhibition itself becomes part of the narrative. Rough concrete surfaces with moments of contrast throughout the visitor journey.

Visual Identity

Visual Identity

Visual Identity

Logo & Typography

The wordmark itself embodies the exhibition's core concept. The typography shifts between organic, clean, and geometric shapes.

System Applications

System Applications

System Applications

Takeaway

Takeaway

Takeaway

This project challenged me to create an exhibition identity where the visual system and physical environment work together to communicate the concept, allowing visitors to interact with a direct material experience. The biggest breakthrough was intentionally making the "unfinished" aesthetic yet complete.